I have recently decided to set myself a wee challenge recently to try not to spend more then £4 on any record I buy for a whole year. I have to put my hands up here and say I only lasted about three weeks until yesterday I bought a copy of a rare boogie record I've had my eye on for a year. That said though, every other record I've bought in the last two months has been less than £4 with most coming in at a quid or less. (So maybe I get away with the mean being <£4? Mmm...ok, no.)
I'm going to try to rip them all and get them up here as evidence that you don't need to spend loads of money to get old classics and that mp3's aren't any cheaper, though I do concede after moving my entire collection from Glasgow to London that they are easier to move about.
So first up is a sub £1 'take a chance' punt that I picked up a few weeks ago. Record hunting in second hand/charity shops can be a risky business as quite a few don't have listening stations so you often learn to buy by looking at a combination of label, producer, year and title to figure out whether or not something is worth a punt or not. It might be only a quid but there's nothing worse than gambling and going home to find the record you've taken a chance on is total guff.
I'm getting quite good at this after spending some time with the more encyclopaedically knowledgable David Barbarossa and together we've put together a few rules of thumb which I'll post up as and when I remember them. (One that springs to mind is that any British record made between 1991-1993 that has the word 'hypno' in it is probably worth giving a shot.)
Today's rule is that the word 'dub' combined with a U.K. label circa early 90s is a good sign.
Click the picture for a link to a download.
I can't give you any history on this track, band or label other than Breakthrough only appear to have released four records between 1992-1993. If anyone knows more, I'd love to hear from you.
This record also has a pretty good acid track on the A side which I'd've posted up too, only my record players are in storage at the moment.
So spurred on by Larry's excellent mix, I decided to do a mix with a theme. I've yet to decide what the theme will be so in the meantime here's something I did a few years ago which I found on my hard-drive which had a theme. It was for my friend, Rob Theakston's morning radio show in Kentucky and was gonna be on the early slot so I thought it might be quite nice to have one half sort of like a dream, sweeping in and out and slightly surreal followed by lots of tunes to get people up and going in the morning.
A Lewisman in Exile - Sarah Jane Summers P - Labradford A Shapely Balloon - Ivor Cutler 100 Miles/Going Home To Live With Love - The Parsonage Teamy's Alarm Clock Wake Up! - The Upsetters Good Morning, How Are You? SHUT UP! - Ivor Cutler Don't Stop The Music - Yarborough and Peoples You Gave Me Love - Crown Heights Affair K Choppers - Mock and Toof Piece of Mind - Linkwood Open The Door (Truffle Club Mix) - Lynsay J and Sneak Thief Jolene (Peter Visti edit) Floating (Prinz Thomas Discomiks) - Jape Rambha Ho - Usha Uthup
I was thinking this week about the song I'm going to post at the bottom, 'Another Thought' by Mount Florida. I can't remember what got me thinking about it, possibly it came onto my iPod shuffle. In many ways the EP that this song features on, 'Storm', along with its predecessor, 'Stealth', are two gateway records; records which I can see led me to many more records in my collection.
It was filled with obscure references to things which while my 19 year old self hadn't heard of yet were strangely intriguing. Unfamiliar names like 'Satie' and 'Muslimguauze' sat in song titles alongside some which I did know such as Jamaica Street. After many a late night listening to this EP, sucked in by the four tracks of otherwordly dub, I asked the guy who had sold me the record about this band and if there were any other records by them. That weekend I was taken by said record shop guy, Mr. Jon McCue, to my second ever Optimo (my first had been a few years before in 1997 but I think I was too young to 'get it'.) And so the door opened to all sorts of music which I had never heard and many, many new friends.
Later, I bought the second E.P. and I went home excited not only by the prospect of yet more slightly oddball music but by a set of records with a running design theme. (I'm a sucker for that sort of thing.)
The first track was instantly a hit. A warbling synthline introduces a big dub beat and then a beautiful female voice yearning for an erstwhile or faraway love. The words were credited to one Arthur Russell which at the time I assumed was someone that the guys in Mount Florida knew. It wasn't till a few years later that I was introduced to the original version, which I mistook for a cover of the Mount Florida track.
Anyway, the point of this post is that I vaguely recalled there was an interesting story behind this version which I thought might me nice added to my story of how I came to go to and therefore work at Optimo so I emailed Keith McIvor (Optimo and Mount Florida's J.D. Twitch) to ask a few questions about this track. It turned out there was indeed a great story, though it wasn't the one I'd thought about:
The cover you did was out way before any of the Soul Jazz compilations or the documentary 'Wild Combination', how had you first heard about Arthur Russell? At that point, how many of his records had you heard/bought? In my teens and early 20s there used to be a Rough Trade magazine called "The Catalogue" which was full of information about records that Rough Trade / The Cartel distributed. There was a lot of editorial in it and in one issue they had a feature about Arthur's "The World Of Echo". I didn't ever see a copy but he sounded like an interesting guy and was thus vaguely on my radar. A few years later, around 1994, I was reading some fanzine and there was a review of his "Another Thought" album that made it sound like something I had to hear so I bought a copy and became completely obsessed with it. I have probably listened to it more than any other album and it inspired me in so many ways as well as helping me get through a rather low patch I was in at that time. I went on a mission to find everything he had ever recorded and was lucky that my sister was living in New York at that time and I went over to visit her on a number of occasions. New York record shopping then was maybe the best in the world and over the course of a few visits I found all his dance records and a few other bits and pieces.
By about 1999 I think i had almost everything he had ever had put out up until that point.
I seem to remember that there's a nice little story about how you met Madeline MacDonald, the vocalist who arranged and performed the song for you. Would you mind going into that for me? Had she heard the original before she arranged and sang it? Madeline used to own a restaurant called "Madeline's" which is where the Korean restaurant on Argyle street is now. My then girlfriend lived around the corner and we used to eat there all the time. Madeline was quite a character and had been a professional singer so she used to do singing nights at the restaurant where after dinner she would sing torch songs. I was entranced by her voice and asked her if she would sing on a track we were working on. We didn't let her hear the original song until after she had recorded it but gave her a typed sheet of the lyrics so she could work out her own arrangement.
Was the music written intentionally as a cover or did it just happen in a round-about way?
No, it was just an instrumental that I thought could be enhanced by having a vocal. I had struggled to write a lyric and then came up with the idea of using Arthur's lyrics. In effect it's not really a cover as the music and the vocal phrasing bear no relation to the original song. It's really just a track with borrowed lyrics (he is of course credited with this). Just to make it more confusing, although it's called "Another Thought", the words are from his song "A Little Lost" as our previous EPs first track had been called "Lost in Satie" and I didn't want to repeat the "Lost" theme.
The best thing about the track is that it led to a beautiful friendship. I had to do a lot of phone interviews with journalists when we were putting out the album. Matador (our label) in New York would arrange conference calls and one day I had to do 8 hours of these. There was one left to do and I was totally fed up and intended to make the last one as short as possible. So, the phone goes again and the press person at Matador says "I have Kurt in Seattle on the line for you". Kurt was massive Arthur fan (quite a rarity at that time) and had wanted to interview me as he was blown away that someone had covered one of his songs. We instantly hit it off on so many levels - it was as if i had an identical twin on the other side of the world albeit one who was short and gay. i think we did the interview in about three minutes and then ended up chatting for over two hours (every so often getting interrupted by the press person to see if everything was ok as they couldn't understand why it was taking so long).
He remains a friend to this day and we have met up a couple of times and his writing has inspired me greatly. We both joke that the spirit of Arthur was guiding us towards each other.
Ten years later and the piece Kurt wrote is still online!
The album, 'Arrived Phoenix' is available on iTunes, do you know if there's any plans for the E.P.s to become available to download or are they just going to remain vinyl only 'oddities'?
Vinyl only I reckon which I kind of like.
So here's a link to a pretty scratchy rip of Mount Florida's 'Another Thought'. It should be pretty apparent by now that I have played this copy a lot so apologies for the surface noise. If you like it, go buy a copy of your own. There's a few on discogs. http://www.sendspace.com/file/pokkpf
Oh, and THANK YOU ARTHUR! May your spirit continue to guide us all to places and people with whom we belong.
